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EMPIRE ESPLANADE 6 200 West Esplanade, North Vancouver 604-983-2762 Mirror Mirror (PG) - Fri, Mon-Thur 6: 40, 9: 10; Sat-Sun 1: 10, 3: 40, 6: 40, 9: 10 p.m. The Three Stooges (PG) - Fri, Mon-Thur 7, 9: 20; Sat-Sun 1: 05, 3: 25, 7, 9: 20 p.m.

EMPIRE ESPLANADE 6

200 West Esplanade, North Vancouver

604-983-2762 Mirror Mirror (PG) - Fri, Mon-Thur 6: 40, 9: 10; Sat-Sun 1: 10, 3: 40, 6: 40, 9: 10 p.m.

The Three Stooges (PG) - Fri, Mon-Thur 7, 9: 20; Sat-Sun 1: 05, 3: 25, 7, 9: 20 p.m.

American Reunion (18A) - Fri, Mon-Thur 6: 50, 9: 30; Sat-Sun 1: 25, 4, 6: 50, 9: 3 p.m.

Lockout - Fri, Mon-Thur 7: 10, 9: 25; Sat-Sun 1: 20, 3: 50, 7: 10, 9: 25 p.m.

John Carter 3D (PG) - Fri, Mon-Thur 6: 30, 9: 35; Sat-Sun 3: 45, 6: 30, 9: 35 p.m.

John Carter (PG) - Sat-Sun 1 p.m. Wrath of the Titans 3D (14A) - Fri, Mon-Thur 6: 35, 9; Sat-Sun 3: 55, 6: 35, 9 p.m.

Wrath of the Titans (14A) - Sat-Sun 1: 40

PARK & TILFORD

333 Brooksbank Ave., North Vancouver 604-985-3911

21 Jump Street (14A) - Fri 6: 30, 9: 20; Sat-Sun 1: 20, 3: 50, 6: 30, 9: 20; Mon, Thur 6: 50, 9: 20 p.m.

The Lucky One (PG) - Fri 6: 40, 9: 30; Sat-Sun 1: 30, 4: 10, 6: 40, 9: 30; Mon-Thur 6: 40, 9: 10 p.m. Thur 1 p.m.

The Cabin in the Woods (18A) - Fri 6: 50, 9: 40; Sat-Sun 1: 40, 4: 20, 6: 50, 9: 40; Mon-Thur 7: 10, 9: 40 p.m.

Chimpanzee (G) - Fri 7: 10, 9: 10; Sat-Sun 1: 10, 3: 15, 5: 15, 7: 10, 9: 10; Mon-Thur 7, 9 p.m. Thur 1 p.m.

The Hunger Games (PG) - Fri 7, 10; Sat-Sun 1, 4, 7, 10; Mon-Thur 6: 30, 9: 30 p.m.

Titanic 3D (14A) - Fri, Tue-Thur 7: 20; Sat-Sun 1: 05, 5, 9 p.m.

PACIFIC CINEMATHEQUE

1131 Howe St., 604-688-FILM www.cinematheque.bc.ca. Robert Bresson April 20-23, 25-26.

The French director Robert Bresson (19011999), one of film's most important and influential artists, was master of a spare, rigorous, intensely metaphysical cinema that explored, with rare poetry and purity, the human struggle for grace and redemption.

Bresson made but 13 features in a film career spanning five decades; that body of work is one of the most extraordinary and uncompromising in the history of cinema.

Bresson's singular style - a stripped down, affectless aesthetic that miraculously turns austerity and asceticism into amplitude and manages to approach the immanent, express the ineffable - has been famously described, by Paul Schrader, as transcendental.